Bas-Relief

a group exhibition


BOZOMAG is excited to announce Bas-Relief, a group exhibition of sculpture. This show will be viewable on an appointment-only basis. We will offer appointments to visit from 12-5PM, every Sunday through December 27th. 


Amy Bessone, Akina Cox
Max Earnest
Dakota Higgins
Ian Hokin & Alexander Meadows
Angie Jennings
Emily Blythe Jones
Tiffany Livingston, Walker Olesen, Noah Spindler


Feel free to email us, text or set an appointment time on our website to view Bas-Relief. (Please contact us if none of these time slots are convenient for you.)

Masks will be required. Only 1-3 people allowed per appointment time slot. Frequently touched surfaces will be sanitized after each visit. (Our gallery is accessible through a sliding glass door.)

Images by Walker Olesen & BOZOMAG

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Ian Hokin & Alexander Meadows, “Kalamazoo”, 2019. Found objects: boas, masks, craft googly eye balls, rubber pig nose, glue. (18 in. x 18 in. x 11 in.)

Ian Hokin & Alexander Meadows, “Kalamazoo”, 2019. Found objects: boas, masks, craft googly eye balls, rubber pig nose, glue. (18 in. x 18 in. x 11 in.)

Tiffany Livingston , “Feels Like I’ve been here before”, 2020. Oil on canvas. (18 in. x 18 in.)

Tiffany Livingston , “Feels Like I’ve been here before”, 2020. Oil on canvas. (18 in. x 18 in.)

Max Earnest, “Nerves”, 2020. Acrylic, clay & wood. (15 in. x 16 in. x 2 in.)

Max Earnest, “Nerves”, 2020. Acrylic, clay & wood. (15 in. x 16 in. x 2 in.)

Dakota Higgins, “Mountain with leaves”, 2020. Dried leaves on offset print with acrylic tape in Artist’s frame. (15 in. x 11 in. x 1.5 in.)

Dakota Higgins, “Mountain with leaves”, 2020. Dried leaves on offset print with acrylic tape in Artist’s frame. (15 in. x 11 in. x 1.5 in.)

Angie Jennings, “Child with Pink Hair looking into a black hole”, 2019. Papier-mache, acrylic, latex paint, canvas, diry, PVC pipe, chicken wire, found clothes, shoes, plastic whistle necklace, sunglasses, pink wig, brick. (19 in. x 19 in. x 31 in.)

Angie Jennings, “Child with Pink Hair looking into a black hole”, 2019. Papier-mache, acrylic, latex paint, canvas, diry, PVC pipe, chicken wire, found clothes, shoes, plastic whistle necklace, sunglasses, pink wig, brick. (19 in. x 19 in. x 31 in.)

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Tiffany Livingston, “Don’t let it bring you down”, 2020. Oil on canvas. (14 in. x 17 in.)

Tiffany Livingston, “Don’t let it bring you down”, 2020. Oil on canvas. (14 in. x 17 in.)

Max Earnest, “This Is How This Is Going On”, 2020. Acrylic, clay & wood. (21 in. x 21 in. x 1 in.)

Max Earnest, “This Is How This Is Going On”, 2020. Acrylic, clay & wood. (21 in. x 21 in. x 1 in.)

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Noah Spindler, “Half dome summit / moments missed”, 2019-2020. Carved plywood, epoxy, fabric, cork, acrylic, river rocks. Dimensions variable.

Noah Spindler, “Half dome summit / moments missed”, 2019-2020. Carved plywood, epoxy, fabric, cork, acrylic, river rocks. Dimensions variable.

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Dakota Higgins, “Mountain (detail) with Various Small Fires”, 2020. Paper collage on offset print with acrylic tape in Artist’s frame. (15 in. x 11 in. x 1.5 in.)

Dakota Higgins, “Mountain (detail) with Various Small Fires”, 2020. Paper collage on offset print with acrylic tape in Artist’s frame. (15 in. x 11 in. x 1.5 in.)

Max Earnest, “Stand Your Ground”, 2020. Acrylic, clay & wood. (20 in. x 16 in. x 2 in.)

Max Earnest, “Stand Your Ground”, 2020. Acrylic, clay & wood. (20 in. x 16 in. x 2 in.)

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Walker Olesen, “No. 2”, 2020. Pencil, wooden board, shed lizard skin, marker, graphite, pom poms. (18 in. x 22 in. x 2 in.)

Walker Olesen, “No. 2”, 2020. Pencil, wooden board, shed lizard skin, marker, graphite, pom poms. (18 in. x 22 in. x 2 in.)

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Amy Bessone, “One’s Girl Food Club, since 1987: a fat quarter from Tokyo flea market, riff on Titian’s 3 ages, a slice of ex’s Pierre Cardin dress shirt sleeve, hand quilted with DMC red no. 321 grand teint coton perle”, 2020. Mixed media (23 in. x …

Amy Bessone, “One’s Girl Food Club, since 1987: a fat quarter from Tokyo flea market, riff on Titian’s 3 ages, a slice of ex’s Pierre Cardin dress shirt sleeve, hand quilted with DMC red no. 321 grand teint coton perle”, 2020. Mixed media (23 in. x 15 in. x 0.75 in.) (courtesy of Salon 94)

Emily Blythe Jones, “Welp, Better Hit the Road”, 2020. Stoneware, underglaze, glaze and paint. (12 in. x 10 in. x 2 in.)

Emily Blythe Jones, “Welp, Better Hit the Road”, 2020. Stoneware, underglaze, glaze and paint. (12 in. x 10 in. x 2 in.)

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Akina Cox, “Study for Niki (Confetti)”, 2020. Tile, Colorant, Grout, Concrete. (6 in. x 6 in. x 5 in.)

Akina Cox, “Study for Niki (Confetti)”, 2020. Tile, Colorant, Grout, Concrete. (6 in. x 6 in. x 5 in.)

Akina Cox, “Study for Niki (Green)”, 2020. Tile, Colorant, Grout, Concrete. (6 in. x 6 in. x 5 in.)

Akina Cox, “Study for Niki (Green)”, 2020. Tile, Colorant, Grout, Concrete. (6 in. x 6 in. x 5 in.)

Akina Cox, “Study for Niki (Brown)”, 2020. Tile, Colorant, Grout, Concrete. (7 in. x 9 in. x 7 in.)

Akina Cox, “Study for Niki (Brown)”, 2020. Tile, Colorant, Grout, Concrete. (7 in. x 9 in. x 7 in.)

Akina Cox, “Study for Niki (Blue)”, 2020. Tile, Colorant, Grout, Concrete. (6 in. x 6 in. x 5 in.)

Akina Cox, “Study for Niki (Blue)”, 2020. Tile, Colorant, Grout, Concrete. (6 in. x 6 in. x 5 in.)

Akina Cox, “Study for Niki (Lavendar)”, 2020. Tile, Colorant, Grout, Concrete. (6 in. x 6 in. x 5 in.)

Akina Cox, “Study for Niki (Lavendar)”, 2020. Tile, Colorant, Grout, Concrete. (6 in. x 6 in. x 5 in.)